Jazz Club

An Intimate Night with Angela Johnson (R&B, soul)

An Intimate Night with Angela Johnson (R&B, soul)

When: Sat, Feb 18
7:00 pm - 10:00 pm, $15 per show

7PM SHOW TICKETS
9PM SHOW TICKETS

“I want music to open something within me, to touch something few have seen, or reach something intangible in you…This is the record I’ve worked the hardest on. A lot of blood, sweat, and tears went into this project. I never thought I could be pushed this far as a producer, singer, songwriter, and arranger. There was so much relying on me, and to see how it came forth; I am so proud of it. I really went outside the box with this album. I don’t want to say this is my masterpiece, but if I died tomorrow this would be it. This was the record I’ve longed to make.” — Angela Johnson
Something magical happens when a woman arrives and stops being afraid of the resonating fullness of her power and the potential impact of her voice. It can take a while for it to happen, decades even. But, when that internal click happens, that freeing moment in her life when she embraces the magnificence of her flawlessly flawed mind, body, and gifts, new levels of inner peace and creativity are achieved and it’s a thing of wonder to behold. After nearly 20 years in the music industry, such a moment has finally happened for triple threat singer/songwriter/producer Angela Johnson, the First Lady of Purpose Music Group. No longer the girl next door or the superwoman who thought she had to be super to be extraordinary, here is Angela Johnson unfiltered, unvarnished and definitely un-bossed. The title of her sixth solo album, Naturally Me, says it all. With the exception of Angela’s cover of Teena Marie’s Déjà Vu, Johnson wrote, composed, and produced every single song on this intimate ten-track release. Throughout, Johnson is a woman claiming her power and sharing her thoughts and feelings about matters of serious import, from politics and social injustice to motherhood and relationships of the real, not manufactured kind. Honest and direct, Naturally Me is a portrait of an artist fully realized, at last.
“I’m voicing my opinions about things that I think are wrong in the world today. I’m being more political, talking about what’s affecting my family and community. I’m putting myself out there, even though I’ve been afraid to.I wanted to talk about things that are relevant that many people aren’t talking about,” says Johnson.

Not that Johnson was ever shy when it came to music, a path she’s always taken seriously. Playing piano by age four, violin by nine, and rocking the church as an organist, choir director, and featured performer by adolescence, the Utica, NY native went quickly from teenage Baptist phenom to the high school musical star of such local shows as Godspell. The eldest of four, Johnson’s family encouraged her formative years as an aspiring musician through college and beyond. Upon enrolling at the State University of New York at Purchase (SUNY) to further her study in violin, Johnson soon met her future Cooly’s Hot Box bandmates and writing partner, Christian Urich. Together the eclectic soul and acid jazz band landed an all-too-brief deal with Polygram Records, despite a trifecta of international dance hits (“We Don’t Have To Be Alone,” “What A Surprise,” and “Make Me Happy”). Nonplussed, Johnson and the group inked a subsequent deal with Virgin Records in 2002 and released the band’s critically acclaimed debut, Take It. Leaning in before the concept gained currency, Johnson decided to express her independent artistic vision distinct from Cooly’s and simultaneously recorded her solo debut, They Don’t Know (Purpose),while also contributing to the songwriting and production of Take It. They Don’t Know and its radio hit “Ordinary Things” did what Johnson had done since being that big-voiced child behind the organ keys, distinguished herself as a woman apart.
That distinction paid off as songs from They Don’t Know and its intimate follow-up, Got To Let It Go (Purpose), were licensed by HBO’s The Wire, UPN’s Kevin Hill, FX’s The Shield, and the WB’s Roswell. From various projects in more recent years, “Walkin’” has appeared on A&E’s The Glades, several songs in the film Big Words, “No Better Love” in the Nicole Kidman film Rabbit Hole, and her co-penned “Wanna Kiss U” for labelmate Monét on FOX’s The Mindy Project. As a featured spokesperson, Johnson was also appearing in Japanese car commercials for Nissan. In 2004, Johnson briefly reunited with Cooly’s for Don’t Be Afraid-Get On (Purpose), which led to a featured spot in a 2005 national TV ad campaign for AT&T.

Please Note:

Age Limit

Beyú Caffé is an all ages venue.

Seating Policy

  • Seating is on a priority basis, with patrons who have purchased tickets in advance being given preference. Walk in patrons will be seated as soon as possible; we will make every effort to accommodate requests, however specific tables are not guaranteed.
  • Seating for the first show begins one hour before the first set. Seating for the second show begins 15 minutes before the second set.
  • We can hold reserved tables for up to 15 minutes after the reservation time. After 15 minutes, we will have to release the reserved table, unless we are notified by phone that you want to change your reservation time.
  • Please be aware that parties of more than 9 will be subject to a party minimum of $25 per person for jazz events. This amount will be in addition to, rather than including, the ticket price for the evening, and all applicable taxes and gratuity.

Tickets

  • Tickets are sold online, over the phone (919) 683-1058 or in person at the café.
  • ALL SALES ARE FINAL & NON REFUNDABLE, unless the venue cancels the performance due to natural disaster or other unforeseeable circumstance.

Tour Groups

  • There are no discounts on tickets no matter the group size
  • Beyú Caffé does have dinner/show packages available for 12 or more with set menus to facilitate your evening. Contact the café manager Malachi Kosanovich directly for more information at malachi@beyucaffe.com

Dress Code

  • There is no official dress code, however the atmosphere is best suited for dress business casual

For Our Disabled Patrons

  • Performance area is accessible and on street level
  • Restrooms are located on the main floor and easily accessible.
  • If you are in a wheelchair please call the café so we can hold specific space to accommodate the you.